Baden verboten (No Swimming), 1906.  Dir. Johann Schwarzer.
Gloria Swanson, 1919 by Alfred Cheney Johnston

“I wasn’t in love with her. And she didn’t love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was.”

Haruki Murakami, South of the Border, West of the Sun 
The Mona Lisa being transported back to the Louvre after the end of WWII, 1945.

After I kissed Catherine I told her to call me Jay

because I wanted her to know my real name
because I wanted her to know who I really was.

She said to call her Catherine. I loved the way

she let me carry my secrets around and every now
and then, at noon or sunset, dop one on her foot.

See how heavy it is, I said, how the suffering goes on

after the suffering is over. I loved the way
she listened without listening when I couldn’t change.

I loved the way she changed before the dark did,

the woman inside of her stepping out of her jeans.
I loved how she would curl up under the blanket

and get smaller like a shirt folding in on herself

until she was no larger than the size of her shoulder
leaning into minen. I loved how her breathing swelled

and came apart with the smell of lilacs from a garden

at the end of the street. I loved how her body shook
like a wild instrument with all this music inside it.

— “My Twentieth Century,” Jason Shinder